Who is magdalene odundo

In she moved to the United Kingdom and enrolled at the Cambridge Art School and completed a foundation course. In she then went to study ceramics at the University for the Creative Arts. Magdalene A. Odundo DBE b. A new exhibition celebrates the global sweep of Kenya-born British artist Magdalene Odundo. For one, Odundo sees her works, unlike the utilitarian pots created by women, as containers of form and color.

By conceiving her objects not as vessels but as sculpture—traditionally seen as the purview of men—she blurs the boundaries between these gendered realms. The influences on Odundo herself are as wide-ranging.

Born in , she received her initial training as a graphic artist in her native Kenya. As each piece rises, it is sculpted individually to create the distinctive silhouettes. Unlike throwing on a wheel, where the piece of clay is worked mechanically and shaped by relatively stable hands, I am the one moving around the work, or moving a turntable to shape each aspect of the form.

Your pieces are based on the human form — why? Using the human form is a very natural way of sculpting with clay. After all, the Bible says that God took clay and used it to form man. The first thing you do as a child is get a piece of clay, squeeze it into your hand, add bits and pieces, then draw an eye or a mouth on to it. Clay automatically lends itself to making. It is embodied into the motion of making a body, a person. Describe a typical working day My older brother and his son are musicians, so I might listen to their music.

I prepare clay or make drawings.